Showing posts with label zombies. Show all posts
Showing posts with label zombies. Show all posts

Monday, October 14, 2019

30-Day Horror Movie Challenge: Favorite Zombie Film...28 Days Later


Tagline: Day 1: Exposure - Day 3: Infection - Day 8: Epidemic - Day 15: Evacuation - Day 20: Devastation

Synopsis: A group of misguided animal rights activists free a caged chimp infected with the "Rage" virus from a medical research lab. When London bike courier Jim (Cillian Murphy) wakes up from a coma a month after, he finds his city all but deserted. On the run from the zombie-like victims of the Rage, Jim stumbles upon a group of survivors, including Selena (Naomie Harris) and cab driver Frank (Brendan Gleeson), and joins them on a perilous journey to what he hopes will be safety. (Google)
We were confident. Zombies were slow...until this movie came along. Suddenly the game had changed. Holy shit. This movie came out of nowhere and I was pleasantly surprised. The movie that is said to have kick started Cillian Murphy's career (thank you!), and sparked whole new possibilities in the zombie genre. The film has a great cast, and there isn't a dull moment. It truly is an edge-of-seat watch. The sequel, 28 Weeks Later, was pretty good too, and I just read that a third movie is in the works. Yay!



What is your favorite zombie film?


 photo Cat.gif

Follow on Bloglovin

Friday, April 22, 2016

David Bernstein's A Mixed Bag of Blood - Review #AMixedBagofBlood



My thoughts
I have to admit that I'm not a big reader of short stories. I prefer stories that require more of a time investment. In other words, novels. However, the exception to that are horror short stories. I love them. I read my first scary short stories as a child. Remember those anthologies of ghost stories you could order from the Scholastic book flyer? I later graduated to Stephen King's short stories and many of his are among my favorites. I think horror works for me in short story format (unlike other genres) because horror can be such a fast paced medium. For instance, horror films are usually no more than 2 hours long, but they still pack a punch. Did I mention that horror films are my favorite? But I digress. What I'm getting at here is that I love horror short stories, especially those that are as good as the stories in A Mixed Bag of Blood.

I love horror that pulls no punches and this author knows his stuff when it comes to that. Some of the stories are a play on our fears of foreign invasion, whether it be in our world, or our bodies. Others bring forth the monsters we're terrified of...zombies, vampires, Bigfoot (we lived in a house surrounded by woods when I was growing up, and yes, I was terrified of Bigfoot. Don't laugh). Some are very gross, yet funny in their message while still being horrific. I'm not going to go into detail because short stories are very easy to spoil for others. Suffice it to say that each story has something to offer.

This slim volume of 125 pages contains 10 stories. I enjoyed every one of them. This "Mixed Bag of Blood" is a must read for any horror fan. I mean it.

About the book
  • Print Length: 125 pages
  • Publisher: Sinister Grin Press
  • Publication Date: March 1, 2016
From a man seeking vengeance for a dead loved one, to a monster lodged in a person’s nose, to starving vampires and samurai battling zombies, a bully meeting his gruesome demise, along with prostitutes being sacrificed, a boy who refuses to stop swearing, and the consequences of one man’s night of unprotected sex comes a dark and disturbing collection of sinister tales filled with dread, bloodshed, humor and the bizarre.

This is a Mixed Bag of Blood.

Praise for A Mixed Bag of Blood 
“Dave Bernstein let his mind wander and his pen write where I know you'll want to read. With an introduction by Kristopher Rufty, this is a reason to stay at home and read on a pleasant Saturday afternoon like I did.” –Cat After Dark

Praise for David Bernstein 
"David Bernstein delivers a fast-moving tale of desire and destruction that gives new meaning to the words, 'Be careful what you wish for.' Relic of Death twists reality and will leave you reflecting on your own personal Achilles heel long after you finished reading…" —Allan Leverone, author of Mr. Midnight

"A fascinating, unpredictable, ever-shifting tale of greed and desperation. Highly recommended!" —Jeff Strand, author of Pressure

“Fast-paced, cinematic, and excellent. Horror fans gather around, it’s time for another chilling tale from David Bernstein.” —Keith Deininger, author of Within and Ghosts of Eden

"A harrowing, brutal thriller, Skinner is Bernstein at his best!" —Peter Giglio, author of Shadowshift

Add to GoodReads

Purchase Links
Amazon

Check out Sinister Grin Press


About the author
David Bernstein is originally from a small town in Upstate New York called Salisbury Mills. He now resides in NYC and misses being surrounded by chainsaw-wielding maniacs and wild backwoods people that like to eat raw human flesh. He’s grown used to the city, though hiding bodies is much harder there. He is the author of Amongst the Dead, Damaged Souls, The Tree Man, Witch Island, Relic of Death, Apartment 7C and the forthcoming Episodes of Violence. David writes all kinds of horror, from hair-raising ghost stories to gore-filled slashers and apocalyptic tales of terror. He loves hearing from his readers. You can reach him on Facebook, at www.facebook.com/david.bernstein.3. Visit him at his website: davidbernsteinauthor.blogspot.com email dbern77@hotmail.com, or on Twitter at @Bernsteinauthor.



 photo Cat.gif

Follow on Bloglovin

Tuesday, October 23, 2012

Contingency Plans for the Zombie Apocalypse: An Infographic

Thanks to Leah for sharing this terrific infographic with us!

Zombie Apocalypse Survival



Zombie Apocalypse Survival

*For a larger view of the infographic, click the link above.

This post is part of....


Photobucket

Monday, August 27, 2012

{Book Tour} Guest Post and Review--The Hallowed Ones by Laura Bickle


Warnings
By Laura Bickle

There are warnings about danger all around us. Some are obvious, and some are subtle. 

Many such warnings come from the natural world. We’ve all heard anecdotes about dogs and cats who can sense earthquakes before we can, howling warnings and fleeing before disaster comes. There are tales of earthworms crawling out of ground that is soon to be flooded, and studies showing that sharks will leave areas of the ocean soon to be struck by hurricanes. Animals know things that we don’t, serving as warnings for us.

There are myths about ravens, especially. There’s one story about the Tower of London that always sticks in my mind. There are always ravens in residence – some even have their wings clipped to keep them there. There’s a legend that if the ravens ever abandon the Tower of London, the kingdom will fall. 

When I was creating the world of THE HALLOWED ONES, ravens were on my mind. The heroine, Katie, is an Amish girl who is very in tune with the natural world. Ravens are part of her landscape, picking through fields for grain and standing on her clothesline, gossiping with each other. When the end of the world comes, the humans are not sure what’s happened. The people in Katie’s settlement only know that there are no cars on the road, that a curfew has been ordered. There are no lights on the horizon. 
But the birds know. 

One morning, Katie awakens to a great cacophony. Thousands of ravens are calling to each other, taking wing in a massive swarm. The swarm is so dense that it blackens the sky, and the sound is deafening. The birds are leaving, flying south in vast multitudes. 

The evacuation of the birds tells Katie that something is very wrong with her world, something truly horrific. She can only guess at what it is…but the ravens already know, and are shrieking to anything that will listen.

My thoughts on THE HALLOWED ONES:
Simply put, this book is amazing! As a true lover of horror and the like, I think I love the end of the world, dystopian zombie/vampire tales the most.  It has been done many times...probably not much better than Matheson's I AM LEGEND, but let me tell you...THE HALLOWED ONES ranks pretty high, in my opinion.  What made it so good was introducing the phenomenon from the Amish community's point of view.  Bickle has done a terrific job introducing the reader to the Amish world and then illustrating how they might react if something terrible did happen in the English (what they call us) world.  And then she goes one better by creating some of the most creepy and frightening creatures I've read in awhile.  As I was reading, I kept trying to visualize what they would look like.  Every horrifying image I've ever seen in movies or read in books came to mind, but I still couldn't quite settle on the terrifying image my mind was seeing.  Not only do we get all of this from the book, but we get a well-written book to boot.  No cliche or run of the mill stereotyping.  Also, the characters, namely Katie, are wonderful.  When Katie goes against the Elders to help a young English man who is injured or ventures into town--alone--to get medicine and supplies, it's not hard to believe.  Early on we learn that Katie is head strong and of her own mind.  A girl on the verge of Rumspringa (a time when Amish teens get to go off and experience life in the English world), she is ready to explore and set out on her own.  She just didn't intend for it to occur in quite the way it did.

I am so pleased with this book.  It's not often that I come across a book in this genre (meaning horror/dystopian, although it is classified as YA) that is so well constructed and exciting and engaging as well.  I highly recommend it.


About the book:
If your home was the last safe place on earth, would you let a stranger in?

In this captivating thriller, an Amish settlement is the last safe haven in a world plagued by an unspeakable horror…

Katie is on the verge of her Rumspringa, the time in Amish life when teenagers are free to experience non-Amish culture before officially joining the church. But before Rumspringa arrives, Katie’s safe world starts to crumble.  It begins with a fiery helicopter crash in the cornfields, followed by rumors
of massive unrest and the disappearance of huge numbers of people all over the world. Something is out there...and it is making a killing.

Unsure why they haven’t yet been attacked, the Amish Elders make a decree: No one goes outside their community, and no one is allowed in. But when Katie finds a gravely injured young man lying just outside the boundary of their land, she can’t leave him to die. She refuses to submit to the Elder’s rule and secretly brings the stranger into her community—but what else is she bringing in with him?

Advance Praise for THE HALLOWED ONES
"This is a book to make you fear the shadows--a horrifying and gruesome tale of faith, and things that blink red eyes in the night. I began reading in the daylight, and read on into the
late hours, leaning close, biting my lip. I could not look away; I was ob-
sessed. Katie is an unbreakable soul."  --Lauren DeStefano, New York Times and USA Today Bestselling author of the Chemical Garden Trilogy

THE HALLOWED ONES
Laura Bickle
Reading level: Ages 12 and up
Paperback: 320 pages
Publisher: Houghton Mifflin Harcourt Graphia
(September 25, 2012)
ISBN-10: 0547859260
ISBN-13: 978-0547859262
Laura Bickle is represented by Becca Stumpf at
Prospect Agency:

Publicity Contact:
Karen Walsh, 617-351-3647


About the author:
Laura Bickle's professional background is in criminal justice and library science. When she's not patrolling the stacks at the public library, she can be found reaming up stories about the monsters under the stairs. She has written several contemporary fantasy novels for adults, and THE HALLOWED ONES is her first young adult novel. Laura lives in Ohio with her husband and five mostly-reformed feral cats. For more about Laura, please visit her website at: www.laurabickle.com.


Thank you to Bewitching Book Tours for including me on this tour.

Photobucket

Thursday, May 31, 2012

Guest Post and Book Spotlight: The Caldecott Chronicles by R.G. Bullet


Please join me today in welcoming author, R.G. Bullet. (be sure to read to the end to see a special offer on the books)

Hi Michelle,
Thanks for inviting me here today.

I was watching The Walking Dead the other day and it triggered a thought: that when an outbreak occurs, slaying Zombies could be turned into an art-form. I drew a rudimentary diagram but I am sure it's food for thought for your readers.


When you're defending yourself from within a ranch or shopping mall surely you would start inventing ways of mass slaughter? Perhaps you'd come up with an effective trap like a converted slaughter-house that has the living frolicking near the entrance as a lure--just enough to sucker the Zombies in. You know, like a Tupperware Party... 

Saffy the teenage girl in The Caldecott Chronicles comes up with some seriously disturbing methods to wipe out the undead--they don't always succeed but it is a testament to her ingenuity. I would like to invite your readers to participate in inventing a few traps. Someone must be able to better my idea? Feel free to send them along and I'll post them up.

Thanks for inviting me over. Stay vigilant!

Short excerpts from The Caldecott Chronicles No.1:


Why burning you may ask? In his frantic ef forts to ward off these undead, your Uncle Charles spent most of the week blasting away from the roof. No bloody good that did. The only thing he devastated was the munitions supply, and then he twisted his ankle leaping over one of the gargoyles. As if my hands weren’t full enough.

You’ll be glad to know I didn't waste ammu nition; I simply lured Wiggins and his entourage into the pit using Charles and myself as bait. Ac tually Charles didn’t even know he was being use ful, as he was simply resting his foot, playing that awful violin of his and utterly intoxicated on brandy. 

Quite a scene in the quadrant, I can tell you. Not sure who screamed at me more—Charles for wasting a half-gallon of his precious petroleum spirit, or the pit full of burning ‘help’. I will detail the account of your Uncle Charles and the ammu nition later—right now I still find it too stirring to elaborate further. 


Seconds after the demise of her husband, Mrs. Simmons (or at least I think it was Mrs. Simmons) came to the window of the top floor. She drooled something green over the white curtains and ma naged to open the window to step out, as if it there were an imaginary stair down to the garden. Ex cept there wasn't, obviously. What shred of intelli gence is left in these creatures seems easily squan dered. She hit the earth with a sickening crack. I thought that would hinder her efforts to eat me alive, but even with one leg trailing behind and both broken hands flapping loose in front like greyish-green gloves she still managed get up speed. She must have been famished, poor wretch.

I wish I’d had one of those camera thinga majigs to take a photographic remembrance, Al bert. I could have captured a great shot (pun in tended) for The Windsor Times, I can tell you. This Simmons woman was quite a sight—tangled and matted hair, and maggots falling from her right eye socket like yellowy tears. I let her have one blast. She’d earned that. Her plunge from the window gave me a quite a chuckle.

About the author:
R. G. Bullet was born in Berkshire, UK. After living in nine different countries he has finally settled in Miami Beach, USA. He is addicted to tea, reading, writing, motorbikes and shamefully, Call of Duty. His middle grade debut novel: The 58th Keeper and The Caldecott Chronicles have just been released.

Follow him on Twitter: twitter.com/#!/RGBullet58 and join the FB page for the latest updates and fun competitions www.facebook.com/rgbullet.



During this tour, R.G. has lowered the price of Book 1 and 2 to 99 cents, available now (see link above).  Books 3, 4 and 5 will be released shortly (date TBA).



Photobucket

Thursday, May 17, 2012

{Book Tour} Guest Post--Gregory Lamberson, author of Carnage Road

Writing by the Seat of Your Pants
By Gregory Lamberson

I prefer not to work from an outline when writing a novel, and when I’m required to submit a detailed outline to a publisher to land a contract I procrastinate when the time comes to write the actual book. If the story has already been written as either a synopsis or an outline, then the act of creation has already occurred, and when I dive into a novel, I want to discover the story with my protagonists; I want their actions and reactions to dictates of the story to me, not the other way around. In other words, I want to surprise myself, and an outline works against surprise.

As an independent filmmaker who’s written many screenplays, structuring a story comes to me pretty easily regardless of which medium I’m writing for. The most important thing I need to know is who my protagonist is and what his goals are. I like to know what the opening scene of a novel is, and what the climax of the first act is. Beyond that, I might like to know what my second act climax is, and I may want to have a loose idea of what the conflict in my ending will be. Beyond these points, I don’t want to know anything that happens – until I reach that point in the story. In many cases, a supporting character’s sudden demise in one of my novels surprises me just as much as it does my readers.


For my new novella Carnage Road, I tried a different approach. The story concerns a cross country motorcycle trip taken by two bikers during the zombie apocalypse; in essence, Easy Rider via George A. Romero. I wanted to begin my story in Buffalo, New York (where I live) and end it in Texas, but I had no idea where my antiheroes would stop along the way. I opened some maps online and plotted their course, with each location stop serving as the setting for a different horrifying episode. Their roadmap became mine.

During their travels, Boone makes Walker promise that if he gets bitten by a zombie, Walker will put him down. I knew I wanted the climax to occur at the Alamo, with Boone in his death throes, ala Colonel Travis, and a horde of zombies threatening to enter the historic mission. Walker would have only one bullet in his gun, putting him in a moral dilemma: should he spare himself an agonizing death, or keep his promise to his friend? In the actual novella, the suspense is compounded when Walker becomes attached to an orphaned girl. The little girl did not exist until I reached my last chapter, and then suddenly there she was, adding an additional layer of resonance to my coda. This happy accident never would have happened if I had written an outline and adhered to it. 


About the author:
Gregory Lamberson is the author of five published horror novels and one nonfiction book on independent filmmaking. A two-time winner of the IPPY Gold Medal for Horror for his novels Johnny Gruesome and Personal Demons, and a three-time Bram Stoker Award finalist, he has three books scheduled for 2012: his zombie novella Carnage Road, from Creeping Hemlock Press; The Frenzy War, Book Two in his werewolf series “The Frenzy Cycle” from Medallion Press; and Tortured Spirits, Book Four in his occult detective series “The Jake Helman Files,” also from Medallion. An Active member of International Thriller Writers and the Horror Writers Association, Lamberson also has a following as a cult horror film director and is best known for "Slime City" and "Slime City Massacre."

Visit him at his website, www.slimeguy.com.

Read my REVIEW of Carnage Road.

Photobucket

Tuesday, May 15, 2012

Book Tour: Review--Carnage Road by Gregory Lamberson



My thoughts:
This is more of a short story or a novella than a novel, but it packs a lot of punch.  Anyone who loves zombies will enjoy this little book.  I'm a big fan of the AMC television series, The Walking Dead, and this book reminded me of it in some ways.  However, Lamberson cleverly added some elements to the story that make it even more frightening.

After our heroes, Walker and Boone, lose their crew, they set off on their own.  They decide to head to Hollywood because Boone, "wants to see America."  The idea is against Walker's judgement, who would much rather go to Canada.  Along the way, they meet a preacher who is still tending to his flock...of ghouls.  Oh yeah, their called ghouls in this story, not zombies.  They are warned that the left over police forces have probably formed militia or something to that effect and that they should avoid them, if at all possible.  It turns out that they're not so easy to avoid.  They find themselves in the midst of the Founding Fathers' Order lead by a woman that evokes thoughts of Sarah Palin (yikes!).  Some of her new world order consists of making abortion illegal and rewriting textbooks to eliminate evolution in favor of creationism.  Yikes again! As Walker reflects later on, "With the human race the minority group among biped, we needed to stick together, but the same old differences kept us apart:  sexual politics and politics of power.  It must have been November already."  Frankly, I find this element of the story even more scary than the zombies ghouls.

Carnage Road is a quick, entertaining read.  I really recommend it to anyone who likes zombie stories and especially to anyone who might be afraid of what our world would be like if there was a zombie apocalypse.

About the book:
Boone and Walker, the last two members of the Floating Dragons motorcycle gang in Buffalo, set out to re-discover America during the zombie apocalypse. Their odyssey takes them to Ohio, Kansas, Hollywood, and a last stand in Texas. Along the way they learn just what happens when the federal government ceases to exist, and it isn’t pretty.

A tale of friendship and loyalty, Carnage Road is author Gregory Lamberson’s unforgettable ode to westerns, biker pictures, and the cinema of the living dead.


About the author:
Gregory Lamberson is the author of five published horror novels and one nonfiction book on independent filmmaking. A two-time winner of the IPPY Gold Medal for Horror for his novels Johnny Gruesome and Personal Demons, and a three-time Bram Stoker Award finalist, he has three books scheduled for 2012: his zombie novella Carnage Road, from Creeping Hemlock Press; The Frenzy War, Book Two in his werewolf series “The Frenzy Cycle” from Medallion Press; and Tortured Spirits, Book Four in his occult detective series “The Jake Helman Files,” also from Medallion. An Active member of International Thriller Writers and the Horror Writers Association, Lamberson also has a following as a cult horror film director and is best known for "Slime City" and "Slime City Massacre."

Visit him at his website, www.slimeguy.com.


Thank you to Pump Up Your Book book publicity tours for having me on this tour.


Photobucket

Monday, February 13, 2012

Dead of Night Shambling Zombie Blog Tour with Jonathan Maberry


Zombies are everywhere in pop culture. They’ve even eclipsed vampires as the go-to monster for storytellers. We have zombie movies (Brad Pitt is making World War Z!), zombie TV (The Walking Dead is killing the competition), zombie comics, zombie books, zombie toys, zombie everything.

So…I asked a bunch of my colleagues a fair question: What makes them today’s ‘in monster’?

ROBERT KIRKMAN: They play on our worst fear--DEATH. It's something we can all relate to. Zombie stories are merely a metaphor for life. We're surrounded by death all day every day... no matter how slow it moves it's always after us, and there is no escape. In the end, we all die. As far as zombies in pop culture go, I want to see it all keep going on and on. I just hate it when the stories end, so I'd want more long-term explorations of the world and the characters. I think there's a wealth of story potential in following a group of characters five, ten or twenty years into the end of the world...that's why I'm doing it with The Walking Dead. (Robert Kirkman is the creator of The Walking Dead comic book and TV series).

JOE HILL: Apocalypse fever is running high at the moment. Blame Katrina and 9/11 and the Haiti earthquake and the Icelandic volcano and global warming. Daydreams about the end of the world are very much bubbling through the national consciousness. And zombies symbolize The End in the most fundamental way possible. They are literally death walking. (JOE HILL (son of Stephen King) is the author of two novels, Horns and Heart-Shaped Box, a collection of short stories, 20th Century Ghosts, and the comic book series, Locke & Key.)

MAX BROOKS: Zombies are apocalyptic and we're living in a very insecure world. The last decade has bombarded our collective psyche with threats so terrifying, we don't dare examine them head on. Zombies are a 'safe' way of exploring the demise of our species. Zombies are the mirror that reflects the head of Medusa. (MAX BROOKS is the author of the two bestsellers "The Zombie Survival Guide" and "World War Z", and the graphic novel "The Zombie Survival Guide: Recorded Attacks". He has also written for "Saturday Night Live", for which he won an Emmy. www.maxbrooks.com)

DAVID WELLINGTON: Because they’re 21st century monsters. Vampires, werewolves, and mummies all come from the 19th century and they rely on outmoded fears to be creepy. Not that they can’t be updated, but they start from an old-fashioned place. Zombies, on the other hand, are modern monsters. They feel more realistic to us, and their weaknesses are all scientific rather than religious. It makes them a lot scarier because they belong to our world, not a Victorian mode of horror. (David Wellington is the author of the zombie novels “Monster Island”, “Monster Nation” and “Monster Planet”(Thunder’s Mouth Press), as well as chilling books about vampires, werewolves and other creatures. For more information please visit www.davidwellington.net.)

DAVID LISS: I’d like to have a clever answer to this question, but I honestly don’t know. It would be easy to come up with some kind of response – “post-capitalism and inescapable technology have rendered us all zombies” or something like that. – but nothing rings true to me. But if there are cool zombie stories out there, that can be reason enough. Maybe it doesn’t matter why, and maybe there doesn’t always have to be a reason. DAVID LISS is the author six novels, most recently The Devil’s Company. He has five previous bestselling novels, which have been translated into more than two dozen languages. Several of his novels, as well as a short story, are in development as film projects. Liss also writes for Marvel Comics.

JAMES MOORE: The world has been a pressure cooker for a long while now and the nearly disastrous collapse of the economy on a global scale put that pressure cooker to a higher level than it has been at in a while. I tend to believe that the people as a whole, whether or not on a conscious level, felt and still feel that pressure. For some it's the feeling that they are already living among the walking dead and for others it's the belief that an inevitable collapse is already happening, that we're already doomed. In light of that sort of pressure, what better than zombies to personify our fears and become the scapegoat for our nightmares? (JAMES A. MOORE is the author of over twenty novels, and has twice been nominated for the Bram Stoker Award.)

KELLEY ARMSTRONG: The appeal is two-fold. First, it's the ultimate threat: the undead horde that you can't eliminate. They're essentially human, but hard to kill and even when you manage to kill one, more take its place. Second, they allow us to explore our own death fears. For some, they're a very literal symbol of death--mindless, relentless, inescapable. For me, I explore that idea through by making zombies fully cognizant human souls trapped in its rotting corpse—a living death. (Kelley Armstrong is the #1 New York Times best-selling author of the OtherWorld Series, the Darkest Powers Series, The Nadia Stafford series, and more. http://www.kelleyarmstrong.com/)

DEREK NIKITAS: Undead-horde zombies are always interesting because they are paradoxical monsters; they confront our fear of the corpse, which is partly a fear of eternal lost consciousness or "life," without completely removing the conscious element. They turn the domestic (ex: dear old mom) in to the frightful unknown. Vampires do a similar thing, but pop culture has now fully domesticated the vampire, taken all the fright out, filed down the fangs. Zombies are still an unknown, still frightening. I think their current popularity is partly a backlash against the domestication of the vampire, and partly a metaphoric response to a society at war against enemies we don't understand and mounting fears of environmental disaster. Even as other monsters disappear when the light of scientific reason is shed upon them, zombies keep coming.
I also think zombies are much more popular in comic books and film because we've developed a fetish for the dead-ification of celebrities, pop-cultural icons, and traditional social roles. It's like a make-under. We all want to get a look at the zombie clown, the zombie politician, the zombie Captain America, the zombie famous-actor-who-shall-not-be-named in Zombieland. It's usually played for a laugh, a mechanism for coping with death. (DEREK NIKITAS is the author of the Edgar-nominated mystery novel Pyres and the crime novel The Long Division, a Washington Post Best Book of 2009. www.dereknikitas.com  www.dereknikitas.blogspot.com)

HOLLY NEWSTEIN: Zombies are the anti-vampire. The whole "Twilight" fad has turned vampires into moony teenybop pinups, so zombies have stepped up to the plate to scare the bejesus out of us. They are messy relentless brain-sucking killing machines! They can also be funny - see "Zombieland' and "Shaun of the Dead." You have to admire their versatility. (HOLLY NEWSTEIN’s short fiction has appeared in Cemetery Dance Magazine and the Borderlands 5 anthology. She is the coauthor of the novels ASHES and THE EPICURE, published by Berkley Books under the pen name H.R. Howland. She lives in Maine with the author Rick Hautala. http://www.facebook.com/holly.newstein)

JOE McKINNEY: Why zombies? I’ve had plenty of interviewers ask me, “Why horror? Why not write police procedurals? You being a cop, wouldn’t that be a natural thing?” Well, I write horror because it is my first love. It was a horror story that gave me that first “Wow, this is cool!” feeling, and I’ve found myself gravitating back to horror ever since. But zombies…Why? Well, that first horror story, that first “Wow, this is cool!” moment, it came while watching Night of the Living Dead. I keep coming back to zombies for the same reason I keep coming back to horror. They hooked me early and didn’t let go. (JOE McKINNEY is a homicide detective for the San Antonio Police Department who has been writing professionally since 2006. He is the Bram Stoker-nominated author of Dead City, Quarantined, Dodging Bullets, Apocalypse of the Dead, The Ninth Plague, and The Red Empire. Visit him at http://joemckinney.wordpress.com)

KIM PAFFENROTH: I think they have a perennial appeal to young males, because they’re such good targets, and also because the whole scenario of a zombie apocalypse lets us not just think about shooting them, but about planning all the various things we’d need to survive. So when I saw the original Dawn of the Dead I was hooked, since I was a teen at the time. But when I returned to them more recently, having thought about theology and human nature in the intervening years, I found a lot more to like about them as symbols, as conveying deeper meanings than just a survivalist fantasy. (Kim Paffenroth is a professor of religious studies at Iona College. He is the author of Gospel of the Living Dead: George Romero’s Visions of Hell on Earth (Baylor, 2006), which won the Bram Stoker Award. http://gotld.blogspot.com/)

S. G. BROWNE: Because they used to be us. Because I saw Night of the Living Dead on Creature Features when I was eleven and I fell in love. Because they’re relentless. Because they’re socially relevant. Because they’re tragically comical. Because a werewolf apocalypse is just ridiculous. (S. G. BROWNE is the author of Breathers, a dark comedy about life after undeath. www.sgbrowne.com)

JONATHAN MABERRY: Vampires have stopped being scary for the most part. Werewolf stories are often retreads of Jekyll and Hyde. Mummies are too slow and clumsy. Ghosts and demons are so last year. Zombies are (more or less) fresh. They’re also flexible…you can make zombies scary and funny all at the same time. They can be truly frightening or heartbreakingly tragic. There’s no end to the kinds of stories you can write about them, which is why the books of every person who contributed to this guest post are entirely different. (Jonathan Maberry is the New York Times best-selling author of Dead of Night, Patient Zero, Rot & Ruin and many others. He is a multiple Bram Stoker Award winner and a writer for Marvel Comics. www.jonathanmaberry.com)


Watch the Dead of Night book trailer:

If you enjoyed DEAD OF NIGHT, you can download seven free bonus scenes from
Jonathan Maberry’s website.  Here’s the link: http://jonathanmaberry.com/happy-holidays-from-jonathan

Enjoy an excerpt from The Hollow Men:

PART ONE

THE HOLLOW MEN


All concerns of men go wrong when they wish to cure with evil.
—Sophocles

CHAPTER ONE


This is how the world ends.

CHAPTER TWO


HARTNUP’S TRANSITION ESTATE
STEBBINS COUNTY, PENNSYLVANIA

He was sure that he was dying. It was how he imagined death would be.
Cold.
Darkness fl owed slowly into the edges of everything. As if the
shadows under tables and behind cabinets were leaking out to fill the
room. Soft. Not painful.
That part was odd. In his dreams— and Lee Hartnup often dreamed
of death— there was pain. Broken bones. Bullet wounds. Deep knife
cuts.
But this . . . this wasn’t painful.
Not anymore. Not after that first bite.
There had been that one flash of pain, but even that was beautiful
in its way. So intensely painful that it possessed purity. It was beyond
anything in his personal experience, though Hartnup had imagined it
so many times. With the quiet people with whom he worked. The
hollow people, empty of life.
The police and the paramedics brought him demonstrations of
every kind of pain. Brutalized and beaten. Crushed in car wrecks.
Suicides and murders. Even the old people from the nursing homes,
the ones everyone believed died peacefully in their sleep. Hartnup
knew that they had experienced pain, too. For some it was the rathungry
gnawing of cancer; for others it was the mind pain that came
with having memories carved out of their brains by the ugly scalpel of
Alzheimer’s. Pain for all. Pain was the coin that paid the ferryman.
Even now Hartnup smiled at that thought. It was something his

4 | JONATHAN MABERRY


father once said, back in the days when Lee Hartnup was the assistant
and his father was the funeral director and mortician. Old John
Hartnup had been a poetic man. Humorless but given to metaphor
and simile. It was he who had started calling the bodies in their cold
room the “hollow men.” Well, hollow people, to be PC. People from
whom the sacred wind of life had fl ed through what ever crack the
pain had chipped into them.
And now Hartnup felt his own sacred wind trying to blow free.
The wind— the breath— was the only heat left in him. A small ball of
dying air in his lungs that had nowhere to go. There wasn’t enough
left of his throat for Hartnup to exhale that breath. There would be no
death rattle, which amused the professional in him. He knew that
some other mortician would hear it when preparing his body.
Of course, it would not be a mortician right away. First it would be
a coroner. He had, after all, been murdered.
If you could call it murder.
Hartnup watched the liquid darkness fill up the room.
Was it murder?
The man . . . his killer . . . could never be charged with murder.
Could he?
If so . . . how?
It was a puzzle.
Hartnup wanted to cry out for warmth, but of course he could not
do that. Not with what was left of his throat.
It was a shame. He was sure that he could manage at least one really
good scream. Like the ones in his dreams. Most of his dreams
ended in a scream. That’s what usually woke him up in the night. It’s
what fi nally drove his wife into leaving him. She could take the fact
that he worked with the dead all day, and she was sympathetic to the
fact that his work gave him nightmares. But after eight years she couldn’t
take the interruptions to her sleep two or three times a week. First it
was earplugs, then separate rooms, and finally separate lives.
He wondered what she would think about this.
Not just his death, but his murder.
He heard a noise and wanted to turn his head. Could not.
The muscles of his neck were torn. Teeth and nails. He couldn’t

DEAD OF NIGHT | 5


feel the wounds anymore. Even the coldness was fading. His body
was a remote island, separated from his mind by a million miles.
The noise again. A clatter of metal, then the singsong of tools dropping
to the tiled floor. Retractors and needles and other items. Things
that he wouldn’t need any longer.
Things that would be used on him in a few days.
He wondered who would prepare his body for the box? Probably
that schmuck Lester Sevoy over in Bordentown.
Another crash. Then a sound. Like footsteps, but wrong somehow.
Awkward. Disjointed. Like a drunk trying to stagger slowly across a
barroom floor.
Lee Hartnup knew that it wasn’t a drunk, though.
He didn’t have a name for what it was.
Well . . . that was not exactly true.
It was a hollow man.
The room was darker now. Shadows were closing around him like
a body bag being zipped up with him inside.
A simile. Dad would have liked that one.
Hartnup felt his body shivering. He felt the vibration of it but not
the actual sensation. It was hard to understand. He knew that his
flesh was trembling because his vision was shaking, but he felt no
puckering of goose bumps on his flesh, no actual intensifi cation of
cold as his skin tried to retreat from it. And yet the vibration was there.
The shaking.
He wondered at it. It was so violent that for a moment he thought
that his body was going into convulsions. But that would have affected
his eyesight, and he could still see as normally as the darkness
allowed.
His head lolled on his ruined throat and he marveled that there
was enough structural integrity left in his neck muscles to move his
head so violently.
Then all at once Lee Hartnup realized what was happening.
It wasn’t a wave of cold shivers. The cold, in fact, was nearly gone.
It seemed to flee as the darkness grew. It wasn’t convulsions either.
The movement was not caused by any muscular action or nervous
fl utter anywhere in his body. This was purely external.

6 | JONATHAN MABERRY


He was being shaken.
No . . . “worried” was the word. The way a terrier worries a rat.
That’s what was happening.
And yet not . . . This wasn’t a hunting dog trying to break the neck
of a rodent. No . . . This was something else. Even down there in the
darkness, Hartnup realized how wrong it all was. He could not feel
the teeth that clamped onto him. He was beyond the sensation of pressure
or pain. All that was left to him was the savage movement of his
body, and the uncontrollable lolling of his head as the hollow man bit
at him and tore him to pieces.
The cold was gone now. The darkness closed over him, shutting
out all light. Even the trembling vision faded into nothingness. Hartnup
could feel himself die.
He knew that he was dead.
And that terrifi ed him more than anything. More than the man on
the gurney. More than when that man had opened his eyes. More than
that first terrible bite. More than the cold and the darkness. More
than the knowledge that he was being eaten.
He knew that he was dead.
He knew.
God almighty.
How could he be dead . . . and know? He should be a corpse. Just
that. Empty of life, devoid of all awareness and sensation.
This was something he had never imagined, never dreamed. The
wrongness of it howled in his head.
He waited in the darkness for the nothingness to come. It would
be a release.
He waited.
He prayed.
He screamed in a voiceless voice.
But he did not become a corpse.
He became a hollow man instead.

CHAPTER THREE


MAGIC MARTI IN THE MORNING
WNOW RADIO, MARY LAND


“This is Magic Marti at the mike on a crisp, clear November morning.
Coming at you live from both sides of the line, here on WNOW and
streaming live from the Net. Your source for news, sports, weather,
traffic, and tunes. The news is coming up at half past the hour, so let’s
take a look out the window and see what Mother Nature’s cooking
up . . . and darn if she isn’t cranky today. Looks like we can wave
good-bye to the sunshine, because there’s a whopper of a storm front
rolling in from Ohio. It parked itself over Pittsburgh last night and the
Three Rivers got pounded by two inches of rain. Ah . . . getting pounded
by two inches makes me think of my first husband.”
Sound of a rim shot and cymbal.
“This is a slow-moving storm, so we can expect to see the first drops
later today. This storm is clocking sustained winds of thirty miles per
hour with gusts up to fifty. Button up, kids, this is going to be a bad
one.”

CHAPTER FOUR


SWEET PARADISE TRAILER PARK
STEBBINS COUNTY, PENNSYLVANIA


Some days have that “it’s only going to get worse” feel, right from the
moment you swing your feet out of bed and step flat-footed into a pile
of cold vomit. Even then, feeling the viscous wrongness of that, you
know that the day can get worse.
Desdemona Fox knew that it was going to be that kind of day. She
was an expert on them, and this one promised to be a classic.
The vomit belonged to the long-haired, lean-bodied, totally gorgeous
piece of brainless trailer trash who lay sprawled on the floor with

8 | JONATHAN MABERRY


one tanned leg hooked over the edge of the bed. Dez sat up and
stared down at him. By dawn’s early and unforgiving light he still looked
ripped and hunky; but the stubble, the puke, and the used condom
stuck to his left thigh let the air out of last night’s image of him as
Eros, god of love. The only upside was that he’d thrown up on his own
discarded jeans instead of the carpet.
“Fuck it,” she said and it came out as a hoarse croak. She coughed,
cleared her throat, and tried it again. It was louder the second time, a bit
less phlegmy, but it carried no enthusiasm or authority.
Dez picked up her foot, fighting the urge to toss her own cookies,
and looked around for something that wasn’t hers that she could
wipe it on. There was nothing within reach, so she wiped it on Love
God’s hip.
“Fuck it.”
Sounded better that time.
She got up and walked on one foot and one heel to keep any residual
gunk off the carpet. She rented the double-wide and didn’t feel
like losing her security deposit to that prick Rempel over a stained
carpet. She made it to the bathroom, turned on the shower, set the
temperature to something that would boil a pot full of stone crabs,
and stripped off the T-shirt that she’d slept in. It was vintage Pearl Jam
that had seen better decades. Dez took a breath and held it while she
stepped under the spray, but her balance was blown and she barked
her shin on the edge of the stall.
She was cursing while she stood under the steaming blast and kept
cursing while she lathered her hair with shampoo. She was still cursing
when the hot water ran out.
She cursed a lot louder and with real bile as she danced under the
icy spray trying to rinse her hair. Rempel had sworn to her— sworn on
his own children— that he had fixed that water tank. Dez hated him
most days, but today she was pretty sure that she could put a bullet
into his brainpan without a flicker of regret.
As she toweled off, Dez tried to remember the name of the beefcake
sprawled on her floor.
Billy? Bart? Brad?
Something with a B.
Not Brad, though. Brad was the guitar player she’d nailed last

DEAD OF NIGHT | 9


week. Played with a cover band. Retro stuff. Green Day and Nirvana.
Lousy band. Guitar player had a face like Channing Tatum and a body
like—
The phone rang. Not the house phone. Her cell.
“Damn it,” she growled and wrapped the towel around her as she
ran back to the bedroom. What’shisname— Burt? Brian? She was sure
it started with a B— had rolled onto his side and his right cheek was in
the puke. Charming. Her whole life in a single memorable picture.
Dez dove onto the bed but mistimed her momentum so that her
outstretched hand hit the phone instead of grabbing it, and the cell, the
clock, her badge case, and her holstered Glock fell off of the night table
onto the far side of the bed.
“Shit!”
She hung over the bed and fished for the cell underneath, then
punched the button with her thumbnail.
“What?” she snarled.
“And good morning to you, Miss Sunshine.”
Sergeant JT Hammond. He was her partner on the eight- to- four,
her longtime friend, and a frequent addition to the list of people she
was sure that right now she could shoot while laughing about it. Though,
admittedly, she would feel bad about it afterward. JT was the closest
thing to family she had, and the only one she didn’t seem able to
scare off.
“Fuck you,” she said, but without venom.
“Rough night, Dez?”
“And the horse you rode in on.”
JT chuckled softly.
“Why the hell are you calling me so goddamn early?” grumbled Dez.
“Two reasons,” he said brightly. “Work and—”
“We’re not on until eight o’clock.”
“—and it’s not as early as you think. My watch says that it’s eightoh-
two.”
“Oh . . . shitballs.”
“We didn’t set out clock last night, did we? Little much to dri—”
Dez hung up.
She lay there, hanging over the edge of the bed, her ass in the air,
her weight resting on one elbow.

10 | JONATHAN MABERRY


“Oh, man!” said a slurry voice behind her. “Now that’s something
to wake up to.”
Dez didn’t move, didn’t turn around.
“Here’s the morning news, dickhead,” she said very loudly and
clearly. “You’re going to grab your shit and be out of here in ten seconds,
or I’m going to kick your nuts up between your shoulder blades.”
“Damn . . . you wake up on the wrong side of—”
“Ten. Three. Two . . .”
“I’m out.”
There was a scuffling sound as Brandon or Blake or whoever the
hell he was snatched up his stuff. Then the screen door opened and
banged shut. An engine roared and the wheels of a Harley kicked
gravel against the aluminum skin of the trailer.
Dez shimmied back onto the bed, turned over, and sat up. The
room took a seasick sideways turn and then settled down. She looked
around at her bedroom. Stark, cheerless, undecorated, and sparsely
furnished. So much of it reminded her of herself. She closed her eyes.
Insights like that she didn’t need on her best days. Today it was just
mean.
She opened her eyes, took a breath, and stood up.
Love God had left a trail of puke droplets all the way to the front
door, and she didn’t have time to clean them off the carpet. Rempel
would be delighted— he hated returning a security deposit.
“Fuck it,” Dez said to the empty room. Her eyes stung with unshed
tears. She got dressed in her last clean uniform, twisted her blond
hair into an ugly approximation of a French braid, and buckled on
the gun belt with all the junk and doodads required by the regs. She
grabbed her hat and keys, locked the trailer, and stepped into the
driveway.
The parking slip was empty.
She screamed “Shit!” loud enough to scare the crows from the trees.
Buck or Biff or whoever had driven her home from the bar. Her car
was four miles down a dirt road and she was already late for work.
Some days only got worse.

CHAPTER FIVE


PINKY’S DONUT HEAVEN
STEBBINS COUNTY, PENNSYLVANIA


Sergeant JT Hammond’s first name was really JT. His father’s idea.
JT had a sister named CJ and a younger brother named DJ. Their
father thought it was hilarious. JT had not sent him a Father’s Day
card in eleven years.
JT sat in his cruiser and waited for Dez to come out of Pinky’s
with coffee. After he’d picked her up at her place and dropped her so
she could retrieve her car, they arranged to meet at the gas station
con ve nience store on Doll Factory Road to have some coffee and go
over the patrol patterns for the day. Stebbins was a small town, but
they shared patrol duties with the three other towns that made up all
of Stebbins County. The county was the size of Manhattan but 95
percent of it was farmland, with only seven thousand residents. JT
preferred to start each shift with a “game plan” for patrol, backup, and
tasks. That way, if all that went on the duty log was parking tickets, a
couple of DUIs, and accident reports, then at least all the i’s would be
dotted and t’s crossed.
However, today was likely to be the kind of day when attention to
detail was going to matter. If the storm was anything like the weather
service was predicting, then all of the offi cers would be working well
into the night, shepherding people to shelters, closing the schools
early, coordinating with fire- rescue and other emergency ser vices to
pull people out of flooded areas, and who knew what else.
Their cruisers were parked in a V, front bumpers almost touching.
JT’s unit was a seven- year- old Police Interceptor with 220,000 miles
on the original engine. The vehicle was spotless, however, and was
the only car in the department’s fl eet of six that did not smell of stale
beer, dried blood, and fresh urine. JT was fastidious about that. He had
to be in the thing eight hours a day and sometimes double that, and tidiness
mattered to him. His house was just as clean and had been ever
since Lakisha had died. JT’s kids were grown and gone— LaVonda

12 | JONATHAN MABERRY


was saving the world with Doctors Without Borders and Trey was a
state trooper over in Ohio. Living neatly was the only way that living
alone was bearable.
By contrast, Dez’s cruiser was newer and uglier. Mud- spattered,
dented, and tired- looking even though it was less than two years old.
She drove it hard and ached for high- speed chases. If it was up to her
she’d be driving a stripped- down monster truck with a front- mounted
minigun and a couple of rocket pods.
At least three times a year JT offered to help Dez detail her car
and also clean and decorate her trailer, but that suggestion was invariably
met with the kind of enthusiastic vulgarities usually reserved for
root canals and tax audits.
JT looked at his watch and tooted the horn lightly. Dez peered out
of the dirty store window. He tapped his watch and she gave him the
finger.
JT smiled, settled back, and opened the copy of JET he had been
reading. He was halfway through an article on black superheroes in
comics and wanted to finish it before Dez came out. Not that she
would jab him for reading such an ethnic- specific magazine— after
all, she had every one of the Blue Collar Comedy Tour DVDs, and
there was nothing whiter than that stuff— it’s just that Dez tended to
bust on JT for his love of comics. JT was pretty sure that Dez had
never been a kid.
Donny Sampson, who owned a tractor parts store on Mason Street,
came out of the store with a blueberry Slurpee in one hand and a Coke
Slurpee in the other. He was laughing out loud, and JT guessed that it
was one of Dez’s jokes. Donny always liked a filthy story, and Dez was
a walking encyclopedia of them. Donny saw JT and saluted with a
Slurpee cup; JT gave him a nod.
Dez was taking her damn time, so he settled back, but instead of
reading the magazine he laid it in his lap and stared through the windshield
at the closed door of Pinky’s, thinking about Dez. They were
often paired for patrol and, since neither of them had family living
close, they usually did Thanksgiving, Christmas, and the Super Bowl
together. Nothing romantic, of course; JT was old enough to be her
father, and she was very much like a niece to him. Maybe a daughter
if she would pull the goddamn Demo cratic voting- booth lever at least

DEAD OF NIGHT | 13


once before the world went all to hell. In his way, JT loved her. Felt
protective of her. She was tough, though. She laid a pretty comprehensive
minefield between her and the rest of the world. The rest of
the guys in the department hated and feared her in equal mea sures.
Dez was a very good cop, better than a small- town police department
deserved, but she wasn’t a very nice person. Well, maybe that was
unfair. She was damaged goods, which isn’t the same thing as being
bad natured. That, and she was way too deeply entrenched in the nihilistic
and often self- defeating mentality of rural small town America.
She cursed like a pirate, drank like a Viking, and screwed the kind of
people the two of them usually arrested— providing they were well built,
well hung, and in no way interested in any species of “committed relationship,”
especially since the last time she broke up with Billy Trout.
That was a damn shame, too. Billy Trout and Dez had grown up
together and had been a hot item more times than JT could count.
They were never able to make it work, which frustrated JT because
he knew— even if they were both too damaged to see— that the two
of them had real magic together. JT never liked to use a phrase like
“soul mates,” but he couldn’t find a better label. Shame they were like
gasoline and matches whenever they were together. All of the guys Dez
dragged to her lair were clones of Billy; but saying so to Dez would be
exactly the same as saying “Shoot me.”
So, instead of a lover, Dez Fox had a partner. A middle- aged black
man from Pittsburgh with a college degree in criminal justice and a
set of well- used manners that had been hardwired into him by his librarian
mother. Dez, on the other hand, was pure backcountry Pennsylvania;
a blue- eyed blonde who could have been a model for fitness
equipment if not for what JT personally viewed as an overactive redneck
gene.
The radio buzzed. “Unit Four, what’s your status?”
JT lifted the handset and clicked the Send key. “Dispatch, I’m
code six at Pinky’s. You got something for me, Flower?”
Flower Martini, twenty- eight- year- old daughter of love generation
boomers, was the dispatcher, secretary, booking photographer, and court
stenographer for the Stebbins County Department of Public Safety.
She looked like Taylor Swift might look if her career took a sharp downward
turn past a long line of seedy country and western bars. She was

14 | JONATHAN MABERRY


still cute as a button, and JT was pretty sure she had her eye on him,
age and race differences notwithstanding.
“Yeah,” said Flower, “Looks like a possible break- in at Hartnup’s
Transition Estate.”
She overpronounced the name, giving it a nice blend of wry appreciation
and tacit disapproval. The Hartnup family had been morticians
in town for generations, but in the mideighties, during the New
Age inrush, the son, Lee, had given the place a make over. Changed
the name from Hartnup’s Funeral Home to the trendier “Transition
Estate.” Nondenominational services and a lot of Enya music. It actually
sparked a rise in business that drew families from as far as Pittsburgh.
Now, with the New Age covered in dust, the name was a local
punch line. People still died, though, and the Hartnups still prettied
them up and put them in the ground.
“Cleaning lady called from the mortuary office,” said Flower. “Witness
is a non- English speaker. All I could get was the location and that
something was wrong with the back door. No other details, sorry. You
want backup?”
“Dez is with me.”
“Copy that.”
There were only two units on the road at any one time despite the
size of the county. Unit One was reserved for Chief Goss and Unit
Three was in reserve.
“We’ll investigate and call in if we need backup.”
“Respond Code Two. Proceed with caution . . . JT.” There was
the slightest pause between “caution” and his name, and JT thought
he heard Flower start to say “Hon—.” She called him “honey” off the
radio all the time and was constantly getting yelled at by the chief. She
was the mayor’s sister, and it was more than the chief’s job was worth
to fire her.
“Roger that.”
JT clicked off and then tapped the dashboard button to give the siren
a single “Whoop!” A moment later the door to Pinky’s banged open,
and Dez Fox came out at a near run, a white paper bag between her
teeth and two extra- large coffees in paper cups in her hands. She
handed a cup through the open window then leaned half inside and
opened her mouth to drop the bag in his lap.

DEAD OF NIGHT | 15


“What’s the call?” she asked, looking irritated that police work was
interfering with the ritual of caffeine and carbs. JT knew that it was
sacred to her.
“Possible break- in at Doc Hartnup’s place.”
“Who the fuck would want to break into a mortuary?”
“Probably a drunk. Even so, I could use some backup.”
“Yeah . . . let’s do ’er, Hoss . . . But lights, no sirens though, okay?
My head’s held together with duct tape right now.”
“Won’t make a sound,” he promised.
Dez reached in and took the bag back and carried it with her to
her cruiser.
“Hey!” JT yelled. She gave him the finger again. When she looked
back, JT stuck his tongue out at her and Dez cracked up, then winced
and pressed a hand to her head.
“Owwww .”
JT leaned out the window. “Ha!” he yelled.
A few seconds later Dez blew out of the parking lot in a spray of
gravel. She hit the blacktop, punched the red and blue lights, and the
big engine roared as she rocketed north on Doll Factory Road. JT
sighed, snugged his coffee into the holder, and followed at a discreet
seventy miles per hour.

CHAPTER SIX


GREEN GATES 55- PLUS COMMUNITY
FAYETTE COUNTY, PENNSYLVANIA

The old doctor sat on a hard wooden chair in the kitchen and stared at
the phone. The call from the warden at Rockview Prison— where the
old man worked as the chief medical offi cer— had been brief. Simply
the warden conveying an interesting bit of information. Six words
stood out from that conversation.
“We transferred his body this morning.”
Those six words, so casually spoken, were like knives in the doctor’s
chest.
We transferred his body this morning.

16 | JONATHAN MABERRY


Forcing his voice to sound calm, forcing himself not to scream, the
doctor had asked for, and been given, the names and phone numbers
of the mortician who had arrived to take the body and the relative of
the deceased who had made the arrangements. A relative the doctor
had not known existed. No one had known. There were not supposed
to be any relatives. The corpse was supposed to go into the ground
after the execution. It was supposed to be in the ground now.
“Oh my god,” the doctor whispered.
He got up from his chair, walked like a sleepwalker into the living
room, up the stairs, into his bedroom. He opened the closet, reached
up onto the shelf, removed a zipped case, opened it, and stared dazedly
at the gun. A Russian Makarov PM automatic pistol. He’d bought it
new in 1974. When he had defected, the CIA took the pistol away, but
eventually returned it to him. A sign of trust. He sat down on the edge
of the bed. There was a box of shells in the case and three empty
magazines. The doctor opened the box and began feeding shells into
a magazine. He did it slowly, methodically, almost totally unaware of
what he was doing. His mind was elsewhere. Miles away, in a small
town where a mortician would be opening a body bag.
“God,” he murmured again.
He slid the last bullet into the magazine and slid the mag into the
frame. He closed his eyes, took a deep breath and held it for ten seconds,
then exhaled it slowly as he pulled the slide back to feed a round
into the chamber.
The gun was heavy and cold.
It would be quick, though. He knew where and how to place it so
that death would be certain. All it would take was a moment’s courage.
If courage was the right word. Practical cowardice, perhaps.
Two cold tears boiled out of the corners of his eyes and rolled unevenly
over the lines that age, anger, and mania had etched into his
cheeks.
He weighed the gun in his palm.
“May God forgive me for what I’ve done,” he whispered.


Photobucket

Friday, December 9, 2011

Stephen King's Top 20 of 2011

The Walking Dead

Here is Stephen King's top 20 in books, movies, television, and music for 2011.

  1. Breaking Bad (television show on AMC)
  2. Margin Call (motion picture)
  3. How Do You Do--Mayer Hawthorne (music)
  4. Sons of Anarchy (television show on FX)
  5. Skippy Dies by Paul Murray (novel)
  6. Sky Full of Holes--Fountains of Wayne (music)
  7. The Debt (motion picture)
  8. Ready for Confetti--Robert Earl Keen (music)
  9. Talk, Talk by T.C. Boyle (novel)
  10. Crossers by Philip Caputo (novel)
  11. Revenge (television show on ABC)
  12. The Accident by Linwood Barclay (novel)
  13. The Tree of Life (motion picture)
  14. The Lincoln Lawyer (motion picture)  *
  15. "Get that Snitch"--Mikis Michaelidis (song from the Attack the Block soundtrack)
  16. The White Devil by Justin Evans (novel)
  17. Final Destination 5 (motion picture)  
  18. The Hour (televison show on BBC America)
  19. The Walking Dead (television show on AMC)  *
  20. "Rumor Has It"--Adele (song from her 21 album)  *
I put stars by the ones I agree with.  The Lincoln Lawyer...AWESOME! The Walking Dead...also AWESOME! I adore Adele.  Most of the others I do not watch, have not seen, heard, or read, or have seen (Final Destination 5), but was not fond of.  I will take very seriously his book recommendations though!

The source for this list is Entertainment Weekly.

Go HERE to see the slide show of the list and read King's explanations for his choices.


Photobucket

Tuesday, November 1, 2011

R.I.P. VI Wrap Up


As usual, I didn't do as well as expected.  I probably watched more movies than I read...and didn't do one single movie review.  I know, I suck! Also, did not crack any short stories. =O(

Books I read (click titles for reviews):
Danny Marble and the Application for Non-Scary Things by Jessica McHugh
Dust by Joan Frances Turner
Invisible Sun by S.J. Davis
The Darkness by Crystal Connor

Books I'm still working on:
Under the Dome by Stephen King
The Forest of Hands and Teeth by Carrie Ryan
American Horror (anthology edited by Scott Nicholson)
Decayed Etchings by Brandon Ford

Movies (I will include a few words here about what I thought):
In theater:
Don't Be Afraid of the Dark--a pretty good remake of a movie that scared the crap out of me when I was a kid.  Still, not quite as chilling although really enjoyed the back story.
Final Destination 5--I'm not too keen on these movies because they make me constantly watchful in real life for final destination moments.  LOL! I did like the way they wrapped it up with the other movies, but the deaths were a little more far fetched this time.
Dream House--what a disappointment.  This could have been so great, but it really just kind of fell flat.
Contagion--technically not a horror film, but one of the scariest movies I've ever seen! Wash your hands...A LOT...and don't touch your face, for God's sake!
Straw Dogs--a disturbing film with themes of bigotry and sexism and a shocking sequence of events.  I thought it was really good.  A different role for our Eric Northman!

On cable:
I watched a bunch of old scary movies on TCM on Halloween...not sure of all the titles, but Peter Cushing and Christopher Lee were in the majority of them so you get the gist.  These are some of my favorite kinds of horror films...the oldies. =O)

Also:
Forget Me Not--creepy movie about...well, I really don't know, but it was definitely creepy.
Dexter (Showtime)--one of the best shows on cable.  The serial killer with the heart of gold.  LOL
American Horror Story (FX)--excellent new show (IMO)...has some genuinely creepy moments
Survivors of the Dead (AMC)--a new George Romero zombie flick...gotta love zombies!
Zombie Apocalypse (SyFy)--another zombie movie...new SyFy original...relatively entertaining
The Walking Dead (AMC)--LOVE. THIS. SHOW.  Excellent story lines and zombies.  What else could I ask for?
Flight of the Living Dead--(I think that's what it was called) zombies...on a plane! Truly entertaining. =O)

I would like to thank Carl again for once again hosting one of the funnest challenges ever! Looking forward to next year. =O)

Photobucket

Friday, September 23, 2011

September Zombies: Book Review of Dust by Joan Frances Turner

Click image for full
September Zombies schedule
My thoughts:
Man, I really liked this book! If you like zombies, but you want more than just a bunch of mindless, animate objects staggering around on a hunt for brains, then this is the book for you.  Turner has concocted a zombie tale for the intelligent reader.  Her zombies are pretty close to human, except they eat raw flesh...animal and human.  The zombies (although they do not like to be called that) have formed gangs and they live like families--hunting, fighting, and dancing together.  But, like any family, when one person starts veering from the group and their behavior changes toward the group, the family unit starts to crumble.  I can't really say too much because I really don't want to give away the story.  It needs to be discovered and savored, as a zombie would savor the liver of a fresh kill.

Not only do we get a dynamic zombie tale here, but the author takes it a step further and asks us.  What could be worse than zombies?  And then she proceeds to masterfully invent that next horror for us.  Dust is not only a zombie horror story, but is also a dystopian, post-apocalyptic tale of caution.  When I think of the possibility of being the last humans (or what resembles human?) on earth, I certainly never envisioned this type of scenario.  If you haven't read this book, I have to strongly recommend that you do so soon.

Book description:
Nine years ago, Jessie had a family. Now, she has a gang.

Nine years ago, Jessie was a vegetarian. Now, she eats very fresh meat.

Nine years ago, Jessie was in a car crash and died. Nine years ago, Jessie was human.

Now, she’s not.

After she was buried, Jessie awoke and tore through the earth to arise, reborn, as a zombie. Jessie’s gang is the Fly-by-Nights. She loves the ancient, skeletal Florian and his memories of time gone by. She’s in love with Joe, a maggot-infested corpse. They fight, hunt, dance together as one—something humans can never understand. There are dark places humans have learned to avoid, lest they run into the zombie gangs.

But now, Jessie and the Fly-by-Nights have seen new creatures in the woods—things not human and not zombie. A strange new illness has flamed up out of nowhere, causing the undeads to become more alive and the living to exist on the brink of death. As bits and pieces of the truth fall around Jessie, like the flesh off her bones, she’ll have to choose between looking away or staring down the madness—and hanging onto everything she has come to know as life…

Stop by over at vvb32 reads for my Zombie Apocalypse guest post.

Photobucket
- See more at: http://www.techtrickhome.com/2013/02/show-comment-box-above-comments-on.html#sthash.SyglVmdY.dpuf